Kennel:P11
Section:Common Creatures
Names:Crocifissa is her given name, though many other aliases have been given to her through her years alive. Among these are Cristina (dubbed to her in Venice), Giada (self-given alias), and her mate's nickname for her; Muse.
Nicolina Marino is the sole identity claimed by the younger female.
Breed:Shapeshifters. I have permission from Vita to change from strictly wolves:
Age:Nicolina's purely human age equivalent is 23, and Crocifissa's, 27 (though the latter is soon to turn a year older).
Why do you want this animal? & What will you do for this animal?:I want these animals because they inspire me, because I adore the designs, because I know I will be able to write about them, draw them, and include them in my universe of characters. I will write about them often, and sketches of them will join the others in my sketchpads. Both will also be headmates and much-loved characters.
I have few couples, and I would love this opportunity to have two characters both owned by me as a mutually loving couple.
Personailty:Crocifissa:
Pensive, analytical, so deep in thought at times that she seems to be completely detached from the world around her. Creative thinker, always trying to challenge the applied rules and methods. Even in the smallest aspects of her life, you can see her strong dislike of monotony; any trip she takes more than once will never be taken on the same route.
Jokes come often when happy, jokes on any situation that comes to mind thought up beforehand to be remembered later. Most of her self-amusement comes from taking things out of context, and her humor is warped enough that it isn't understood easily. Due to that and the fact that she's a terrible story/joke teller is why most of her tactless jokes are kept to herself. Nicolina quickly learned that when a smirk or slight laugh at a private thought came, it was no good asking about it.
She is constantly at war between logic and instinct. Even if she has an intricatly laid out plain, something that her mind tells her couldn't go wrong, if she has just the slightest gut feeling that something will go amiss, she will abandon the idea. During anything, if she loses her cool, she becomes very obviously nervous; sweaty palms, constantly rubbing the back of her neck and glancing behind her shoulders. There are no stealthy getaways then; her mind goes blank and her body screams to run, and to do so as quickly as possible. If she's stuck in an uncomfortable situation, she tends to tap her worn fingernails repeatedly.
Her life is filled with theoretical possibilities, and she is always testing to see how something can be improved, how it can be destroyed, the limits of its capability. This drive to know how everything works, pick everything apart, has existed since she was very young and was the start of her current lifestyle.
Knowledge is her greatest motivation. She is constantly working on a new idea, on how to disprove someone else’s, on how to do anything and everything she wants without getting caught. Every idea, every thought, is approached with equal amounts of enthusiasm and objective criticism.
Crocifissa is not a leader or a follower; if other people respect her and stay out of her way, she couldn't care less who they are or how they think.
Around strangers, she is quite shy. Not suspicious, not attempting to avoid attention, but outright awkward speaking with them. If anyone was to approach her in the street with suspicion and question her behavior, she would be flustered and bolt. Once she knows someone, however, she will speak much and enthusiastically about whatever has caught her interest at the time.
In addition to her multitude of family, she loves her mate very much, even when she can't figure out how to show it. She had a few 'friends' -scarcely more than passing acquaintances- growing up, but for the most part her siblings were what she depended on for support (whenever they weren't at each others' throats, that is).
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Personality wise, Nicolina is the one who would be better placed in her mate's role. She has far more patience than her 'other half', remains calm in stressful situations, and most of all can blend into the crowds. However, she would never consent to helping Crocifissa with an actual kill, far less doing so on her own. She is willing to walk through the cities they travel through and let them tell her their secrets, and does not ask when a bloody figure comes back to her door at midnight after a week's absence. Her mate frustrates her often, but she honestly loves her, despite her initial want to stop her killings and change her.
Emotion is her main method of judging her actions, she is somewhat superstitious and prefers doing things in a traditional fashion. She laughs more than she talks, and is almost always smiling. Constantly strives to put others' happiness and well-being before her own.
One of her strongest traits is her trustworthiness, honest and strongly against lying. She is gentle and sympathetic, willing to be a shoulder to cry on and someone to sit and patiently listen to someone else spill their heart out. By no means would she be considered well bred, and will not flinch away from things easily.
One flaw of hers is that she can be too concerned, and finds it hards at times to stay quiet and just listen instead of imposing her ideas on others. Another is that she can be quite a pushover, and she knows it. It is one of the biggest things that bothers her about herself.
She is old-fashioned, first impressions meaning a lot to her, and feels that people
can be judged at first appearance, and that one's eyes are the windows to their souls. This, in addition to her 'intuition' instead of proven logic and facts, exasperates her mate often.
She is sensible, practical, modest, and sensitive, telling others what she honestly feels, and terrible at lying or hiding emotion. It takes a lot for her to lose trust in someone, and when she does, she is deeply affected by it.
Dislikes & Likes:
Crocifissa:
Likes - learning, solving a difficult problem, the wind, fire, studying, being with her family, being with Nicolina, cats, jewelry (often she's seen wearing a simple ring on her left hand, both as a way to make any faked marriages more convincing, and a personal substitute to her own lack of official marriage).
Dislikes- being restricted, deadlines, schedules, boredom, upsetting others, doctors, needles.
Nicolina:
Likes - Rain, the smell of wet concrete, times when her mate can stay at home, pleasing others, feeling like she's doing some good in life, being able to sit alone and simply think.
Dislikes - Having to relocate for various reasons involving her mate's job, the heat, the cold, being put in the spotlight, finding any hints to Crocifissa's job scattered about.
[WIP]
History/Background:
Italy, 1953, another shifter joined an already large family.
Crocifissa was born and raised in the streets of Mogliano Veneto, one of the handful of the large family's members able to shift. The extended family completely lived within and around the area, and even though she has now moved further south, she is still in contact with many of them.
Her father was Italian born and raised, though his own parents of a French descent which was obvious in his actions, and was killed in the Greco-Italian War. Her mother was born and bred Italian, with an assertive nature and pride for her family that was mirrored in her two younger sisters. Crocifissa was the second-to-youngest child, constantly exploring and getting into trouble with the eldest boy and her single younger sibling. The boy was the only one other than herself to shift, and despite their current lack of contact, he had been a replacements, of sorts, for her dead father, and a hero growing up. He has now gone into a similar occupation as hers -contract assassin.
At fifteen she was traveling out more and more, having gone with her mother on a business trip to Venice and discovering a whole new world within the city. Eventually, she took her leave from her family -temporarily, she promised-, and traveled much further.
Italy, 1957, a lone couple at the edge of a valley finally received the child they had wanted so.
Both of her parents she loved, raised to be soft-spoken, appreciative, and sympathetic. Despite her silence she was not one to sit on the sidelines and let the others 'have all the fun' -she worked, and hard, wanting to please her family. Her family relations were good, and during the occasional trips into the surrounding towns she found herself social and eager to interact with others.
Her life was the simple one- living in solitude as she ventured through her rolling country. Often she would venture into the small towns surrounding her, even going miles out of her way to see new people and new places, but for a long time she remained within the borders of the area, and Casentino was the only thing she would call home. Soon, though, her travels would get her entangled into something that would keep her away from her homeland.
Italy, 1968, Balogna is the place where the two young shifters met.
Crossifisa lay carelessly at that time, curled beside the base of the Palazzo d'Accursio in her canine form, watching the people that passed her by with interest. Few bothered to try and shoo what they saw as a stray away, and those that did were quickly nipped on the hand as warning. Soon she had attracted the attention of a second canine -Nicolina, shifting into the form after she had seen the other. It was obvious that the white and blue female was a shifter; she didn't act the way others did, had a tilt to her head that was too human to fool her.
And so the two talked in their canine forms as the sun sunk across the horizon. Both remained in the area for several months, making excuses to themselves to stay around 'a little longer'. Eventually, Crossifisa enquired about where the younger lived, and casually invited her to stay in the small home that she had been calling her own for the last seven months.
Italy, 1980.
The two have been unofficial lovers for five years, and the inevitable misstep happened -Nicolina returned to the place they had been staying, to be met with nothing but the empty hills. She waited; three days, three nights, and on the fourth morn, was met with nothing but a blood red sunrise.
The United States, 1981, the mists begin to rise in the blossoming Maine morning.
It was not overly uncomfortable, she had to admit, for such a curious method of transportation -noisy, large, and disappointingly hard to get out of when in movement, but it could have been far worse. Free to move about if she wished, free to speak if she thought it would do any good...yes, while she was angry for having been caught, she was still undeniably curious.
The man paced still in the middle aisle, the sounds of his footsteps drowned by the noise of the travel. A hand absently brushed away stray hairs falling into his eyes, though he did not attempt to start conversation again. He looked to be in his forties -of European descent, she guessed, though there was no doubt that he was raised in the states.
A second man, with the same dirty-blonde hair of the first and looking half his age, was sitting just a little ways across from her, watching her with noticeably less hostility than the woman at her side.
So many had been sent to watch for a slip-up, and they thought it would take three of them to keep her under control. A slight smirk slipped across her face that she couldn’t contain.
The man standing caught it, stopping his pacing and turning sharply to give her a withering glare. Again he tried to speak, and again the plain syllables meant absolutely nothing to her.
“Non capisco che si-,” she started, but was cut off by an abruptly raised hand.
“Enough!”
The words had little meaning to her, but the tone conveyed plenty enough. She leaned her head back, huffing in frustration. She had no idea what the idioti had in mind, but it was starting to seem more and more likely that the assassin's birthday would be spent on the route to Pennsylvania.
198, Late January. Despite language barriers, there is still a great attempt to enlist the help of Crossifisa's creative mind, while her mate still is searching throughout the country, forced to take up assassinations to find the information she needs.
[Due to time restrictions, I cannot put much here, so I merely hope that the personality areas makes up for it.]
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Story excerpt wrote:Being an assassin isn't as glorious as movies and stories make it out to be. Laying slumped over in an alleyway with blood pumping out of multiple wounds across my shoulders and torso, I can attest to that.
Not to mention how hard-to-get all firearms were, how pricey their bullets, how hard it was to cover up the kill...from an early age I learned to improvise. Who needs a pistol when something as common as bleach could be slipped into a drink and do the same job? Messy, yes, but no one could ever track you down, no one could suspect a stranger the victim had never met, whom no one would
guess had stepped foot within the courtyards.
Oh, but it comes with a cost, such that I at times can not help cursing my own unquenchable thirst for knowledge. Nicolina despises it, I know, and I hate that she is left wondering if she will find more than a lifeless body when she next sees me. But I cannot truly say that I hate what I do, what I am... I want to learn, for knowledge is the center of this world, and I will not consent to merely sit and watch it slip through my fingers.
But it will certainly not do to just sit and wait to be found here. Stifling a groan -there's no time for letting a little scratch get to me-, I sit up and eventually manage a slumped position. The foginess from blood loss began to fade, and all the cold facts of the situation fell into my mind again. They would be here...at most, I had fifteen minutes to be gone. Not without a trace, of course- the blood staining the stones of the structure would remain, but she would not allow for herself to be defeated so easily.
Gathering strength, she moved away from the wall, disappearing into the shadows with only a lone, wandering cat to see her go.
Art: Haven't the time to draw at the moment, as I would rather devote my time to improving the form itself.
Other: Nothing.