There is only a tiny line between happy and sad, and some call that limbo, and others say it's just pretending- like painting smiles so big on your face that no one can see you really.
Gender: Male
Name:
Jamie Alto Summers
"Purgatory," the older ones, teenagers, would whisper behind the the feet of on going adults that liked to walk by faster than they liked to pause and stare. Every time eye contact was made it felt like a decade had passed, so quickly that your heart would have stopped in its spot completely, if it could.
Purgatory because you suffered, and the more you stayed the more you suffered. But there was no getting away. They called it the endless loop that every low grade orphanage trouble-kid, brat, had to live with.
At least until you outgrew the system. Then came life, and for those with barely nothing left when it came to chances, and just about no funding whatsoever, a recycled version of the purgatory loop came into view. It was paradoxal really. Almost no way out.
"Almost no way out."
The sheets flicked by quickly, a nicely stapled load of information with signatures, words and, more importantly, pictures. Because the first thing a stranger will recognize is your looks. Before all that stuff about height, weight, habits or even certain preferences. First they'll see the paper posters in town and say they'll have a good eye out for orphan boy. It is a title, being called by what you are, parantless child. Next they'll see orphan boy and probably squint, taking moments to recognize the one they'd been watching for, and call the-- tole-free number listed on the paper.
Damn them and their pictures.
"Alto Summers---" There was a pause, it was the record player scratching the record. A large hissing screech on the ears. "Jamie Summers," The attendant rifled his hands over the paper watching him. He had seamed to miss what the boy had said. Though, he was only thinking aloud again, sitting neatly in the large wooden chair.
The young boy appeared to be in his own world, trying to make them understand seamed like running through a maze blind. He tapered back from his mind, staring partially into space and partially not, to blink and breath in a well induced daze.
"Jamie, please stop writing Alto overtop of you real name." The man frowned, forming wrinkles upon his face. He was the most long-worked in the orphanage, his wafting, scent of mint and oak-wood overtaking the childrens mind whenever his name was spoken. Cornelius, a stranger and less of an acquaintance than his own parents, whom were better off knowing what day Haley's comet came into view than their own sons age. "It's not that hard, I'll help you. Ja-mie. J-a----."
The lights above Cornelius' head flickered periodically, making the blue eyed boy wonder when they had last fixed them. They made him look like a villain with each flicker, and soon young Jamie's mind drifted off into his own thoughts, over to wondering when the building was even made, how long had mister 'smells like mint and oak-wood' been working there? Had he been there since before some of the teenagers were born?
Maybe what was needed was a journal for all of those wandering thoughts. A keep-sake, like what you find buried deep under the ground with a rusty old, used to be gold it seams, lock. And inside a vast rainbow of things came out, monotonous in meaning and no meaning altogether... For whoever found it next had no idea what it was, what it meant indefinitely. And that's how it would be with a young boy and his journal.
Just some form of marvelous history, from a strangers life. A little black book, with lines on inky pages, was plopped down ontothe bed of it's intended user. It was old, it was needed. A small pen hooked neatly to the spine of it, the books own companion, a small pen to be careful of. For it liked it's markings permanent.
He spent months gratifying that books aged pages, on and on with hidden words, things he'd show to no one. He talked, without actually having to use his voice, and it took everything, absolutely everything, right in.
He was a sailors son, daddy wasn't the nicest. What pressed through him was just the feeling you get when you're close to someone and they move away so instantly you're stuck, trying to push away gestating thoughts, wondering how disgusting of a person you are to them, in such quick seconds. Daddy didn't make him feel good, his stomach jumped when a voice seeped through that mouth.
Daddy liked the water more than he liked his own body, his boat was made of fine wood and told the stories of hundreds of journeys. With each tick and dent a memory could be recalled.
...
That was daddy for you. He'd spend weeks off on those journeys, living those stories, wile mommy and baby waited and forgot and remembered, and over-analyzed; without even knowing the meaning of the word.
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---That little black journal and pen;;
Alto is a pen name, so on paper Jamie is not Jamie. He is not himself, as he is Alto, only in ink. Who knows why he uses it. It's partially psychological, many things are, just like the way he writes. A style of complete difference from natural understanding. Even though he's writing about himself he never seems to use personal pronouns. He'll use words like "you, him, them, they" but never anything indicating that it's him.
Pg.13 Dreams
One:
All the noises are drowning you out, the people sitting in their seats watching, not caring. You want to be something... You want to be big? They all start yelling and yelling and you remember so much, it's much louder than home... Though that doesn't make it better. It's nowhere near how home used to be, it is an open stage and that is where the similarity ends, it's too cluttered and claustrophobic and too hard to breath, too hard to... Think. Something hits your head and you fall back, beggening to bleed, and everything goes dark and you wake up... The bed doesn't seem comfortable every night.
Two:
It seems like a nice day, sitting in the house, though shadows begin to grow and screams topple up out of silent nowhere. 'This is going to be a short one,' something behind your mind whispers, the shadows keep getting bigger, planting their feet down, ready to snatch you up, not as monsters but as people... Everything goes pitch black, the shadows purr as you fade back into consciousness. The radiator purrs right back, in the corner, pulsing in heat, the night hiding all the shadows.

A set of adoptive parents came walking by, watching through the glass, watching their changing expressions. A small thing, like a nub, caught in the boys throat as he observed the, almost eerie with surprisement, people pass by. He felt like a caged animal, and animal were only caged because they could be, with no morality level, pick and choose your small companion from the dosage.
There was a halt in their steps. It wasn't like they didn't have other things to do, other things to be preoccupied with, or at least pretend to be preoccupied with, the children just couldn't get to those other things right then. The parentals stepped forward, staring at a young child in the other room. Through the glass eye contact was made, and that decade long seaming pause began to stop the heart. The children knew how that felt.
"Oh, Ambrose, isn't he handsome?"
Ambrose presumably, nodded. Someone would be leaving. Good news, get the whistles and the banners and let's buy a cake...
The young lady put her hand to the glass and there was only more and more awestruck blinking. The halt in the orphans activity stoped with an upbrupt jump, and there they went, right back to their usual activities. Except for one small child still caught in the headlights, in the sights of a parent. It was like staring your hunter in the eyes, with guns pointed at your head. Those eyes were weapons enough, with the way the lady stared.
Jamie was taken out of his usual mental daze, eyes wandering to who they were staring at. A boy with peach coloured hair and auburn eyes. The door opened with a click and a beep, as if that didn't aid to the feeling of being caged so well. Shy hellos were said, it was like watching the tv screen. All of these people sarrounding them, but they were in their own scene altogether.
It was a whole new level compared to Jamie's internal isolation, he could be incased in a scene all by himself... And with his journal, of course.
Mothers rugged home left way to no comfort. After daddy left everything soft and plush... anything soft and plush within that house dispirited. His father was needed, just as much as dust was needed by dust bunnies. A relevant thing for something of irrelevancy.
The drapes fell down the wrong way, awkwardly at angles, so that light got in through seeping holes. It was so silent that it scared you to think about why that mite be. The door opening lead a melancholy shade of blue to drench the rooms, the walls, the windows, leaving bare space for escape. Gentle cylinders of yellow light would get lost inside and he'd sit there, knees up-to his chest and hiding from everything, yet still so open and able to feel the scratching gentle chill. Most bad histories, that were known, weren't so silently soft. He'd sit there and just... Think.
There is a lot to think about in this world, endless expanses.
The sails would wave at him from the shore as the boat floated off, and he would wave back. He'd stand beside mother, father would stand beside his better known companion, the sea. And they'd wave softly towards each other, antagonistic in their pursuits, back and forth, as if everything was bright and perfect.
It all pulled through his memory, Ambrose and the lady and the boy with peach coloured hair. Daddy and the waving sails, mother and the lonely house, the way the doors clicked, locked, when the adults left, he had a way of bathing in the happenings.
It took months, and within those months all he did was write and think, until he decided to run away. It was cliche really... As transcendental as he had come. It was like a snap of the fingers, and he had no control of it, he barely remembered how it went. An ironic feat.
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Personal:
Jamie is not quiet, as much as he is too easily distracted and used to over-thinking.
Because he was raised in a condemning household, with a need to keep an image of perfection, and peace when it came to views of them, Jamie feels uncomfortable expressing 'what's wrong'. He has trouble speaking about problems in general, it does not have that alleviating sense as it mite with other people.
He does have physiological issues, and they are not as drastic and dramatizing as media makes most physiological problems to be, but it is painful for him as much as it is natural.
He has a tendency to drift off into his mind, staring at the wall as if he is there when really he's thinking. That's his mental daze. It isn't unnatural, he's used to sitting and assessing. Memories drifting in and out, along with thoughts. Within his brain. For a prolonged amount of time, taking everything in, from clear corners to blurry edges.
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Note- Those
smaller written sections are linked to Jamie's mind, his thoughts and his journal.
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Art-
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