i'm cold wrote:Hey!
I was wondering if you'd be willing to read through my form for #500 c:
viewtopic.php?f=53&t=2649209&start=180#p85492007I mostly need help with developing the character through the story, which is one of my weak points. The entire form is not complete, I'm still creating art for it (which will help because it shows the history briefly). The basic character is described with 6 words above, but I'm not entirely sure how to show all of these in a short story, so I just wanted an opinion and advice on how to deepen the character and make the story generally more interesting.
I also need an opinion on how much sense it makes? Because it's my own world I'm not so sure how well it's described, so your opinion on my description would be greatly appreciated.
Additional info: I have around 100 words left to add stuff if that helps?
Thank you so much!
~cold
Alright, let's take a look at this.
Let's start with the overall character.
Honestly, this is a bit of a dull character, I've seen a thousand male characters with that same personality and it just doesn't stand out. The virus concept is also quite overdone for this character. Try to find a new angle.
Give them some real flaws, things that would actually turn people off from your character.
Then we get to your story, it doesn't do much to develop your character, it just a backstory that drags on when you should really summarize it. You want to build a character, not go super deep into their history. And you want to do this with a plot to your story, not just talking about them.
This is a bit of a hard concept to learn, so I'll use an example of my own writing. Things in bold are parts that tell you something about my character. This story is about the younger twin named Corbin, for context, so I'll only be bolding his parts as he was the one I was developing.
On a midnight evening not far off from this one, two young plumies both at the tender age of 12 were wandering out in their forest. The two of them had slipped away out their window at the request of the slightly younger twin. Neither had been able to fall asleep and the stars had been so pretty that Corbin had been unable to resist slipping off into the night.
It wasn't the first time the two of them had done this. Whenever one or both of them would be unable to sleep they would often find themselves slipping out into the forest. Corbin slipped away to the forest to see the glory of stars and the trees while others slept. Jackson would leave to find the quiet that the forest could offer him, and to make sure his twin didn't get himself hurt.
These times were not too often anymore, but none the less they both knew the pattern by heart. Corbin would slip up near their parent's room to make sure they were asleep so the two of them could make their escape. At the same time, Jackson would silently nudge open their window and place lumps in their beds so their parents would think nothing of it should they happen to come in. From there, if all had gone well, they would meet up in their room and without saying a word slip out the window and into the night.
That was one of the silent rules of these times, not a word was said until they reached wherever they were going. Where they were going was often left up to chance. But tonight there wasn't far for them to go. It was Corbin who had lead the two, so it was him who stopped them when they reached a little pond not far from their house.
They stopped and sat, side by side, silent. For a little while, the two of them just sat and listened to all the words the other wasn't saying. How long they sat there, listening to each other without speaking, neither could say. But finally Corbin spoke.
"Do ya' ever worry that we'll grow apart?"
There was a pause from Corbin before he continued, his voice small and shaky.
"I mean, I love you and I don't want to imagine a future without you, but we're becoming so different. What if our plans for traveling the world together don't work? What if we fight over something and never make up? What if we just grow into different people, and we start fading apart until we only ever see each other for family events?"
Jackson waited until he was finished to reply, and even then he offered no words of comfort, just a question.
"Whose trying to mess with you now?"
The younger twin would have looked surprised if he hadn't already known his twin would see the actually problem here. He chose not to reply to the other, instead staring at his paws.
"It was Anna, wasn't it."
A nod in reply.
For a minute or so, neither twin said anything, until Jackson finally spoke up.
"First off all, if she tries any of this again, you need to actually stand up for yourself. Second, that's not going to happen to us. Someday I'll be playing music all over the world and you'll be there with me to drag me off on stupid adventures in a cave or something the moment I finish playing. That's how it's always going to be, and Anna sure isn't going to change that."
Once more there was silence between the two of them for a heartbeat or so, until Corbin spoke up.
"Do you promise?"
To which he got a nod in reply.
That was all they said that night, though they stayed by that pond for close to an hour more before heading back. Both of them lost in their own thoughts. The walk back was silent, but a different sort of silent, a light, self-assured silent.
And this time, when they slipped back into their beds, Corbin was able to close his eyes and go off to his dreamland, with his twin right by his side.
So what did I teach you about this character:
- He and his twin are close enough to talk silently
- They have different interests and goals
- Corbin has insecurites about being left behind by his twin
- Corbin has been being bullied, by more than one person and he's ashamed of it
- Corbin enjoys the forest and loves stars
- Corbin is the sneaky one of the two
- At this point, Corbin is 12
- Jackson is protective of Corbin
- This is a routine for them
And plenty more little things can be found in the story. All while keeping up a simple plot of two twins taking a walk in the forest. This follows the writing rule of showing rather than telling.
Does that make sense?
If so, I will now give you some very important advice to know while following this rule. I don't show it too much in the above story because it's one of two, but the best way to develop your characters is to break them.
Put them in whatever situation would shove them right off the breaking point and then go a little farther, nothing influences people like pain. Show how your character pull themselves out of this whole, showing off all those lovely character flaws along the way.
If you want an example of that too, I've got a few samples I can show you to help with that.
I hope this was helpful and sorry if I'm a tad harsh sounding, I'm rushing while writing this so my language is a little off from my normal tone.