The Advanced Writer's Club

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Re: The Advanced Writer's Club

Postby Artesian » Thu Jan 24, 2013 12:11 pm

Pie, I'm on chatzy, but you aren't. :P

Merc: Darn. Well, perhaps it'll eventually work its way through Europe. As for music suggestions, I'm not sure I can help, as my music tastes are very eclectic, and I almost never listen to music with words. (I agree though, Florence and Machine's stuff is awesome.) Tape Five is electroswing, which is like 1920's crossed with modern sounds. Philter is excellent to write soft, sweet, and calm scenes to. If you haven't heard Lindsey Stirling's stuff, you should. Now. I'm absurdly fond of Electric Light Orchestra's songs, for no reason.
INSANELY BUSY!
I am moving! For the next month or so, I am going to be so very busy.
If I'm on here, it's because I'm unwinding with writing or pets or whatever.
Please do not add to my stress, if you can. Your support is appreciated.


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      R T E S I A N. . .__________________________________________________
      Cʀɪᴛɪǫᴜᴇ:---- Here (CS)-------------- ❝ Stories may well be lies, but they
      Wʀɪᴛɪɴɢ: ----Here (AS) ----------------are good lies that say true things. ❞
      Cʜᴀʀᴀᴄᴛᴇʀs: -Here (AS)---------------- -----------------------― Neil Gaiman
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Re: The Advanced Writer's Club

Postby abandoned. » Thu Jan 24, 2013 12:33 pm

oh gosh sorry arty . I had to leave my grandparents to be dropped hone x.x

I'll get on after dinner :) took a little power nap as well xP

Merc: I remember that c:
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AFFLICTION;
something that causes pain or suffering

hey there! i'm abandoned. you might see me more commonly
referred to as 'pie' though. i adore rping, writing and reading.
however, i do not actively rp here anymore. i am on AS, under
the username forlorn. if you want to rp, shoot me a pm!
or even just to chat, i love meeting new people.

┗━━━━━━━━━━━━━━━━━━━━━━━━━━━━┛


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Re: The Advanced Writer's Club

Postby Artesian » Thu Jan 24, 2013 1:19 pm

Sorry, I have to get off anyway. :/
INSANELY BUSY!
I am moving! For the next month or so, I am going to be so very busy.
If I'm on here, it's because I'm unwinding with writing or pets or whatever.
Please do not add to my stress, if you can. Your support is appreciated.


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      R T E S I A N. . .__________________________________________________
      Cʀɪᴛɪǫᴜᴇ:---- Here (CS)-------------- ❝ Stories may well be lies, but they
      Wʀɪᴛɪɴɢ: ----Here (AS) ----------------are good lies that say true things. ❞
      Cʜᴀʀᴀᴄᴛᴇʀs: -Here (AS)---------------- -----------------------― Neil Gaiman
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Re: The Advanced Writer's Club

Postby Make_a__Scene » Thu Jan 24, 2013 6:18 pm

I've noticed that I tend to write prose in third person, but poetry in first person (or else an ambiguous point of view). Does anyone else have a POV they tend to write in? Not necessarily prefer, just most often write in.
    I do not have writer's block
    My writer just hates the clock
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Re: The Advanced Writer's Club

Postby OrangeNeon » Fri Jan 25, 2013 12:31 am

I often write in third person when I write and when I roleplay. But as of right now, I'm trying to write a box in first person to get out of my comfort zone.
Looking for all 2010 staff litter dogs. Will possibly overpay.
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Re: The Advanced Writer's Club

Postby indebted » Fri Jan 25, 2013 1:21 am

Cheerio. wrote:I know I'm not a mod ouo
But I though it'd say.
That silverfrost.
That like.
Would probs be better off in the semi-lit+ club.
I think.
I mean.
I see where you're coming from.
But, that is the writing club.
Not the roleplay club.

posted it in the wrong thread. argh, I should really get glasses.

anyways, I don't write poetry that much. I just can't. while everyone else is writing brilliant poetry, i'm stuck going like:
'the tree died.' oh, and i'll check out the roleplay {poetry}.
i like dragon capitalism a lot lmao
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Re: The Advanced Writer's Club

Postby crescent + cheep » Fri Jan 25, 2013 3:26 am

Artesian wrote:Pie, I'm on chatzy, but you aren't. :P

Merc: Darn. Well, perhaps it'll eventually work its way through Europe. As for music suggestions, I'm not sure I can help, as my music tastes are very eclectic, and I almost never listen to music with words. (I agree though, Florence and Machine's stuff is awesome.) Tape Five is electroswing, which is like 1920's crossed with modern sounds. Philter is excellent to write soft, sweet, and calm scenes to. If you haven't heard Lindsey Stirling's stuff, you should. Now. I'm absurdly fond of Electric Light Orchestra's songs, for no reason.


I love Lindsey Stirlings music, makes me want to practice my violin playing every time [and regret I have no discipline] - I also like those other tracks <3 thank you Tar!
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note; crescent is ill & frustrated
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Re: The Advanced Writer's Club

Postby Fluffina » Fri Jan 25, 2013 4:18 am

Username: Fluffina.
Nickname: Whichever suits: my whole username / Fluffy / Fluff / or just Ina.
Writing Preferences: poet / novelist / roleplayer / fanfictioneer.
Example:
“Look, I just don't need you here, okay?” Says the burly, swarthy man who absentmindedly mumbled bedtime stories to them only nights before. He throws some plastic containers full of randomly thrown-together food into their hands, “Not right now, okay?” Behind him, Greta spies flashes of too-clear skin and barely-there, brightly colored clothing. Her father is haphazard in appearance, dark hair all astray and his face is flushed.
Beside her, her fraternal twin Hansel is stiff and stone-faced, and she is not sure why. Hans always seems to know more than she does, even though they're the same age. A female voice calls out from behind Daddy — “Are the two little ----- gone, yet?” and Greta wonders how a voice that was so sweet and warm and melodious when they first heard it a few weeks ago could scratch at her eardrums so much now.
Daddy grimaces, cranes his neck around, “Yea, love,” tries to give them a hard look (which fails, he's too desperate at the moment), and then shuts the door without staring them in the eye; especially not Hansel. Daddy doesn't interact with Hans much lately, says school and whatever TV they manage to watch puts too much [censored] into his head, makes him feel like he knows more than the elders he's supposed to respect.
Greta, like most of the time, can't figure out what to say to that, so she says nothing, ever. It makes Daddy stomp his feet and spit and froth aloud that he wants to pull his hair out. That makes Greta go even quieter and it makes Hansel louder. Hansel talks enough for the both of them, she decides, and he usually comes up with smarter ideas anyway. She doesn't understand why all the older people feel like they have to scream about it, how little she speaks. The less she comments, the more confusing everyone else gets.
Everything is soundless. Hansel keeps clenching and unclenching his fists with that wide-eyed expression that reminds Greta of what few memories she has of their mother, who made that face a lot when she was around, before she just stopped showing up a few years ago. Hansel realizes he's being stared at by his sister — again — but, unlike all the other people, he takes it in stride and doesn't even blink, doesn't seem weirded out. He takes her hand and tells her they'll just go to the park, then, since our ------ father's in a worthless mood again with his bitchy on call ---- again the ----. Right in front of his daughter, I can't believe this son of a --- and Greta blocks out the rest of his flaming words because they beat on her comfort zone.
When the sidewalk below their feet transforms into short, yellowing grass, Hansel has stopped raging under his breath. Greta watches the fuzzy butterflies she used to chase and catch like a pro when she was little and Hansel exhales, nearly collapsing on the ground Indian-style. Now we sit here and nibble of s---y food while he's in there --- that stupid whore... I love you, Sis, you know I'd never do that to you, right?
And Greta nods, because Hansel is the one constant in her life.
She slides down to the dirty earth next to him, and they breathe. There has never been much in the way of 'having fun' in their general area of day-to-day life. She stares at the graffitied fences, sometimes, and she can see the chains connecting her to them, declaring you'll never live in the nicer houses like down in Laguna Beach. You'll have to move in with all the relatives you hate just to keep yourself alive because Hans will probably be stabbed or shot dead by then and they will tell you so and hang it over your head like an anvil and then you and she stops the thoughts there.
It's a long while before it occurs to Greta that there is someone else in the tiny, square, rusted park, which isn't really a park, Hansel just took to calling the junk field that to make Greta feel better, every time they try to go to the real park, the upperclass kids and parents stare at them and clutch at their belongings like they think the brother and sister will march over any minute and demand for valuables. They eye, they glance, they leave.
Greta elbows Hans. Points.
Hansel blinks at the new woman, and in true fashion of their paranoid lifestyles, doesn't say a word until she does, “Hello. I'm Medea Sweet. I'm a baker... are you kids alright? Do you need help?”
No one's ever offered them anything before, so for a minute, blindsided and unsure, Greta sinks behind Hans, who searches for sentences. “I... uh, hi, nice to meet you. No, we're... fine,” Hans doesn't usually pause over and over like this. Greta can't remember the last time someone willingly approached them. Their neighbors liked saying their dad was a plague on the block, and told their kids to avoid his because of it.
“Can I get your names? I know the social workers around here.”
This is like a dream come true, Greta thinks, this stuff only happens in happy-ending books. She's immediately confused, however, when the tension doesn't fade from Hansel's shoulders. “We're... I'm Hansel Lawger, and this is my sister, Greta.”
Medea's smile is wide and sunny, and for a second it doesn't register to Greta that it brings up images of sharks, “It's so nice to meet you, too! Wait here a sec, I've got a surprise for you,” she flits out of view to somewhere that Greta can only guess is where her car is parked, and Hansel catches her eye.
There's a beat.
“She ain't too smart giving out her name the same day they announced it on the news,” his voice resonates in his chest, and Greta is filled with nostalgia of the time he told her to stay still when the rabid dog set loose around town almost caught their scent on an afternoon walk a few months ago. “Whatever you do, Sis! Don't eat her treats or anything she gives you — they're drugged. F---, I wish I had a cellphone, that cheap old b----d,” the subject of all wrath becomes Daddy again, and Greta's heart rate stabilizes somewhat at the familiarity. Hans glares up at the sky contemplatively, “What bothers me s'that she apparently knows she much about us, she brought up social workers,” he bares his teeth, “D--n.”
For the first time in a long, long time, Greta feels the urge to speak again flare up in her throat, “You told her our names.”
For a second Hansel freezes, and then his grin that explodes across his mouth is beatific, “S--t, I did, didn't I? Oh well,” the sides of Greta's mouth twitch up uncontrollably, “I think we'll be fine.” He holds her for a minute.
Then, “We need to run, find a police officer, 'fore she gets back.”
That's what they did, and that was what set off a chain-reaction of events that did lead to their happy ending.
“Alright, you two, this is very serious. Where can we contact your parents?”
“You can't.”
“Okay... why?”
“Our dad doesn't want us home right now.”
“...Could you elaborate?”

Links to stories / roleplays: My fictionpress.
Other: http://pineappleducks.livejournal.com
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Re: The Advanced Writer's Club

Postby Artesian » Fri Jan 25, 2013 8:04 am

1000 Umbrellas wrote:I've noticed that I tend to write prose in third person, but poetry in first person (or else an ambiguous point of view). Does anyone else have a POV they tend to write in? Not necessarily prefer, just most often write in.


I've managed to avoid getting really stuck in any POV, but I tend to write in third person, limited, past tense, or first person, limited, present tense.

Has anyone had any luck writing in second person (you do this and that), for anything but RP intros? I've read a couple of books like that, and they were amazing, if done right.
INSANELY BUSY!
I am moving! For the next month or so, I am going to be so very busy.
If I'm on here, it's because I'm unwinding with writing or pets or whatever.
Please do not add to my stress, if you can. Your support is appreciated.


ImageImageImageImageImage

      R T E S I A N. . .__________________________________________________
      Cʀɪᴛɪǫᴜᴇ:---- Here (CS)-------------- ❝ Stories may well be lies, but they
      Wʀɪᴛɪɴɢ: ----Here (AS) ----------------are good lies that say true things. ❞
      Cʜᴀʀᴀᴄᴛᴇʀs: -Here (AS)---------------- -----------------------― Neil Gaiman
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Re: The Advanced Writer's Club

Postby Make_a__Scene » Fri Jan 25, 2013 8:20 am

Second person is insanely hard, especially when it comes to actions. I don't even like joining role plays where the introductions go on and on in second person, because I feel like they're telling me how my character should be/react to everything. And most of the time I go into a thread already knowing which character I'm going to use.
    I do not have writer's block
    My writer just hates the clock
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