[Beautiful. Really.]
Shaygrin listened to Malberry leave. She traced his path in her mind, watching him wander out of her Hallway of Daunting and into the populated belly of their new HQ. She pursed her lips and sighed, her right hand resting against her temple. In the back of her mind, a pressure began to solidify. Shay had long become used to this. She had been expecting it. The presence slid into place, watching through her eyes, listening with her ears, but leaving her in control of the body.
It is suitable, it said, after examining Shay's memories of Malberry thoroughly. It spoke with no voice of its own, but rather millions of voices from millions of times, all together and slightly discordant. Shay huffed, almost indignantly.
Of course he is, she said aloud, affronted.
I wouldn't have chosen him if he was not....
Bree's day started early and ended late, and ran with the clockwork uniformity seen only in the very busy or the quite insane.
Every morning, she was awake by four and showered and dressed by half past. She ate breakfast alone (except on Saturdays, when her mother forced her to have breakfast with the dysfunctional and bizarre 'family' who, fortunately, were up as early as she was) and waited around long enough to scarf down a vast quantity of food, store some more in her pockets, and eavesdrop on any passing gossip.
By then, it was nearing half past five, and she was off to assign jobs. Assassins were usually coming in at this time, and she would assess their strength and analyse how best to group teams and run hierarchy. Bree loved this part of the day, because it was about patterns, and she was very good at it. She often wondered how her mother had done it without her.
After this, it was usually about nine o'clock, and she would start her own training. This took place in a variety of areas, and targeted a vast number of skills. She worked solidly on her own development from nine to two, with a break at eleven for a gargantuan lunch.
It was this developmental training which Bree was taking part in at roughly half past twelve. After lengthy target practice (which she didn't need) and theory (which, admittedly, she did) she had taken sanctuary in the less-populated of the Wren's two gyms. This one was smaller, and did not have the impressive new simulation centre which Ty had set up, but it served Bree's purposes just fine. She liked to work alone. She did not enjoy being watched. She didn't even like to practice unarmed combat with other assassins. She stretched out, easing the kinks out of muscles which did not get nearly enough sleep. She had not changed her clothes, on the basis that, in a crisis, she wouldn't be able to ask the enemy to just stop for a second so that she could put on something more elastic. Her clothes resisted the bend of her body, but it was not unbearable.
She would cope. She would always cope.
She started her music player. It was a remarkable little machine. Ty had made it for her. It was wireless, so she could leave it on a bench while she pushed her young body to the extremes, and if she wanted to change track, she merely had to give her head a decisive tip to the right for forward and left for back. It was one of the presents she had most enjoyed receiving from him. Her mother had once made the mistake of telling Ty that handmade gifts were often better than something expensive. Ty had taken this to heart, and resolved never to buy a gift ever again. This had led Bree to receive a mucus retriever (don't ask), the prototype pear gun (painful, and she'd smelled like dessert for weeks) and a singing pair of jeans which, unfortunately, had fitted perfectly. She'd had to wear them at least once. Being cruel to Ty was like trying to drown a particularly stupid rabbit.
However, sometimes he got it right. Like in the case of the music player or, in fact, her new gun. She traced it lovingly with one finger. It was more silent than a weapon could be, with various bullet settings and a kick like a mule. She'd blown two of the targets to smithereens. She loved it to bits. She clipped it onto her waist, holstered and extra gun across her back, and placed several knives about her person. Only then did she feel remotely ready.
She set her music player to the Chicago sound track. Everyone had their guilty pleasures. Bree's happened to be Broadway musicals. With the Cellblock Tango playing in her ears, blocking out all other sound, she straightened, began to run, and leapt, her thin, long-fingered hands effortlessly gripping the gymnastics bar. Unpowdered, her skin pulled painfully against the worn wood. She sucked in a breath, and pulled herself onto the thin surface.
It's a gutter, she thought,
And below me are eight enemy assassins. No time to feel pain. Draw your gun with one hand. That's it. Balance with the other. Scout them out. Where have they taken cover?And so her own private simulation began.