voodoo queen TRYOUT DNP

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voodoo queen TRYOUT DNP

Postby opossumbreath » Fri Mar 16, 2018 5:37 pm

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𝓉𝒽𝒢𝓃𝒢

β”Œβ”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”
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A collection of writings about a young girl named Thana in a semi Southern Gothic
literature style. These peices will follow main character through two adventures,
one of her favorite place and the other an origin story to explain her character
in more depth. There are a number of banners, quotes, and photos used in this
form, they are decorative but serve to visually show both portrayals of her
character aesthetic and of Thana herself. I hope whoever stumbles across
this finds it interesting to read, thank you for passing through.
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β””β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”˜


✞✞✞✞
π’·π“Ž π“‡π‘œπ’Ήπ‘’π“ƒπ“‰π“ˆπ“…π’Άπ“Œπ“ƒ
best viewed off mobile
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𝓉𝒢𝒷𝓁𝑒 π‘œπ’» π’Έπ‘œπ“ƒπ“‰π‘’π“ƒπ“‰π“ˆ-----------
Ιͺ.intro {you are here} --------------
ΙͺΙͺ. basic information--------------
ΙͺΙͺΙͺ. prompt--------------
Ιͺα΄ . extra--------------
α΄ . disclaimer--------------
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β””β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”€β”˜
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Last edited by opossumbreath on Sun Mar 18, 2018 7:18 pm, edited 12 times in total.
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basic information

Postby opossumbreath » Sat Mar 17, 2018 10:22 am

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𝓃𝒢𝓂𝑒
Thana Reed
Derived from "Thanatos", a greek name meaning death
meaning red in colour

𝑔𝑒𝓃𝒹𝑒𝓇
Cisgender Female
She/her

𝒢𝑔𝑒
Fourteen
Mentally she is much, much older, though she doesn't act it

π“ˆπ‘’π“π“Šπ’Άπ“π’Ύπ“‰π“Ž
Heterosexual
Heteroromantic

π’Έπ“Šπ“‡π“‡π‘’π“ƒπ“‰ π“π‘œπ’Έπ’Άπ“‰π’Ύπ‘œπ“ƒ
The prompt and extra take place between the 1970's - 1980's, this is the era her character will exist mainly in
It is also based in New Orleans and other, more remote, Louisianan locations

π“‡π‘’π“π’Άπ“‰π’Ύπ‘œπ“ƒπ“ˆπ’½π’Ύπ“…π“ˆ
Thana's parents are deceased and she is taken care of by a character frequently mentioned in the stories below as Gran', Thana's maternal grandmother who runs the shop 'Louisianian Practice', her favorite place
Last edited by opossumbreath on Sat Mar 24, 2018 2:26 pm, edited 5 times in total.
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prompt

Postby opossumbreath » Sat Mar 17, 2018 10:59 am

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New Orleans, Louisiana, 1984
what is this kalons favorite place?
[1760 / no limit]
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Louisiana Practice sat on the edge of New Orleans, nestled between two larger buildings that dwarfed its stout exterior, brick chipped and faded against the bright red lettering over the door spelling out to shops name. β€œLouisiana Practice, Authentic Voodou”.
The concrete steps were, always had been, always will be, coloured a chalky red like crusted over blood. The rusty shade had been painted over the walkway decades ago, back when Gran’s parents owned it, and it had just become another deep south tradition. Red brick dust was mixed into the paint thickly, said to keep evil from stepping over the threshold, and with the types of people their little corner store attracted, they needed all the help with protection they could get.

Thana, a white haired girl with eyes like the moon, grew up in the four walls that were passed by every day by tourists and locals alike for more β€˜interesting’ attractions. It was alright with her most of the time though, it meant more room inside the little place she had carved out in bustling New Orleans for herself. If you asked the passerbys about the outlet they would shrug and tell you they’ve never heard of it, that they got their fill of the voodoo sights the state, especially the specific city, was renown for in little carts of fake dolls and words laced with mystery to invoke a purchase. The tourists wanted the experience of New Orleans magick without the danger of the real thing, to be scared a little with no real consequence, and Louisiana Practice sure wasn’t the place for that. Local folk either spoke of the store fondly or with bitter distaste, it really depended on who you spoke to. Thana didn’t care what others thought, the building was her pride and joy, and they had enough customers needing their products to stay in business this long.

Past the dirty glass panels and hard wooden door the building had an odd sense of being much larger on the inside than it appeared from the storefront, growing once you stepped through the threshold. The shop always smelt of old lumber and smoke, a nostalgic scent like your great grandparents home mixed with things that gave you nightmares as a child. Inside was long, almost like massive hallway that stretched on forever. The innermost part of it had dim light filtering through the dusty window panes, illuminating it more than the rest of the building, much unlike the back that sat darkly in the distance. Here the cash register sat as well as a little table with metal chairs, usually a jug of sweet tea still sitting out, always cool even in the warmth of the southern sun. It wasn’t unusual to see Gran’ sitting around it with her closest clients in the late morning, talking in fond, but hushed voices over tokens and bundles of strange plants. It was best not to disturb them. Occasionally you could find Thana there, under the rays of sunset with a book twice as old as her sat upon her lap, pulling her long hair from her face with a wicked grin.

Mostly every wall was occupied with glass shelves in the store, some without doors, and other with them locked firmly. You could find anything related to any form of Voodou in those displays, sometimes even the occasional pagan or hoodoo item slipped in amidst, all with Gran’s guarantee of being authentic and working to the purpose they were made for. A lot of things in Louisiana practice were handmade, beads threaded over leather rope and specific fabric sew together to contain small bones and herbs, all laced with a little chant or long ritual to invoke purpose over them. That’s how Gran’ and Thana spent most weekends, actually, hunched over the front table recounting stories of their week to one another and piecing together products. Thana had always been especially good with the dolls, but in recent years Gran’ had watched her more closely, keeping an eye on her granddaughter to make sure the words she spoke into her creations were the standard and nothing more sinister. That was a story for another time though.

The most taboo things sat in the front of the shop, handmade voodoo dolls (never powerful enough to seriously harm another person like the tourist sort of clients wanted), amongst keepsakes and sage bundles. Little books with the history of Voodou, protection charms, and simple hex’s to annoy your enemy (Gran’ herself often used the one that gave your rival foot blisters when she had a particularly annoying client). The more obscure sat farther back, gris-gris bags and various herbs and dusts mingled with feathers varying from the length of a finger to as long as your entire arm. Animal bones (at least, you thought they were animal bones) stood both alone and tied together with other things, the empty eye sockets staring out over the room. Robes used by high priests years ago, carpets from abandoned lots with sigils scrawled on them, jewlery each with a specific purpose, jars of things once alive but now floated in preserving liquid.

Gran’ and her parents before her only sold the more powerful or negatively charged items to those who knew what they were getting themselves into. It was all too easy to get mixed up in things you had no right to get involved in down south. Thana however, got a kick out of getting folk into trouble, out of drawing them into a world of trouble that would curse them for years to come. A man once bought an old ritualistic vial from twelve year old Thana and later was found splattered across his living room floor, candles still burning and the vial gripped tight in his hand in what most called a satanic ceremony gone wrong. Gran’ decided she would be the only one to handle the more dangerous products from that point on.

One thing that never failed to frighten new or squeamish customers were the snakes. The serpents were never pets, not bought and brought into the store, no they came on their own. The creatures slithered inside, staying as long as they pleased (sometimes a day, sometimes years) until they eventually took their leave. The thick wooden beams at the ceiling were occupied not only by hanging trinkets but also by coiled, scaled bodies that shined iridescent in the afternoon light. Snakes have always been a significant religious figure, from the serpent in the Garden of Eden to The Loa to The Naga. Gran’ never minded them, said they weren’t exactly average reptiles after all (whatever that means…), played into her belief of the Loa who she served as long as she could remember. The Loa, spirits of Haitian Vodou and Louisiana Vodoo, were a prominent part of the shop, from the snakes hanging off the displays to the altar made specifically for them in the back. She spoke of the bittersweet gift they had given her a few years ago, but never elaborated beyond that.

The back walls, tucked in the darkest corners, were Thana’s favorite spot to read in the dark of night. Though the rest of Louisiana Practice was open, wearily, to any and all customers, this corner was stricting monitored and prohibited to everyone except those Gran’ deemed worthy. The old woman had a good sense on who to trust, could tell people's intentions with a single look. The entirety of these walls, obscured from view by the other various sights, were covered from floor to ceiling in dark wooden bookcases. Along each shelf, most completely filled beyond capacity, sat rows of books. The covers were worn and the bindings giving out, more than half centuries old with yellowing and torn pages, various stains in suspicious burgundy splocthes marked others, and all of them held a unique quality. Some were brightly bound in rich purples and faded reds, while others remained the same pitch black as the day they were created. The units weren’t organized alphabetically (that was hard to accomplish when a few dozen were in different languages, some of which were dead and unspoken in today's world), instead, they were placed according to their hazard level. You see, the simple religious Voodou texts sat low and in reach, while higher up there were the older writings and rituals. The uppermost shelves were the most dangerous, you needed a ladder to get to them for good reason, as they were all based around two common themes. Dark magick and Hoodoo. These ones were old, some scorched, most blood-stained, and all deeply dangerous to the inexperienced and experts alike. These books had been in the hands of people more powerful than a human being had the right to be, they all had their own tales of where they had been, what they had been used for, and none of them had a happy ending.

Gran had a strict no-touching rule for anything above mid-shelf, but Thana, ever since she was a child occasionally found herself with the opportunity, Gran being out and the day being slow, to read the lines of dark scrawl. It scared her when she was younger, to read something that sounded so much like fiction and knowing the person who had owned it before it wound up here had actually performed such things.

In reality, to the outside world, to those who had no part in the world their family had always lived in, that little outlet was frightening. Most teenagers in the 80’s were occupied with friends, music, relationships, even school. You have to realize that Thana was born and raised in the deep south, a place stuck in the past, where it was more usual to live like you were still in the 50’s than current time. Lousiana Practice had always been her home, a place she could truly be herself. Other kids didn’t understand Thana, as a child they made fun of her, pushed her around and picked at her insecurities. Now though, they were scared of her, since the incident where a long time bully said the wrong thing and she beat the boy within an inch of his life on the sidewalk outside. The light haired girl had always been an outcast, but after the incident she had become a complete social pariah. So, if you were to ask her, β€œWhy do you love Louisiana Practice more than any other place on earth?” Simply, it was the safest place for things like her.
Last edited by opossumbreath on Sun Mar 25, 2018 10:05 am, edited 6 times in total.
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Extra 1 & 2

Postby opossumbreath » Sat Mar 17, 2018 11:32 am

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'The Resurrection of Thana Reed'
The Reed Residence, Louisianan 1979
Extra Part One
[942/1000]
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A little girl with blonde hair so light it looked translucent in the light, like a glowing halo around her rosy skin that illumiated the utter blue of her eyes. Giggling. Skipping. Alive. Those big blue eyes blinked up at Gran', and the woman knew she would give her life to protect this child.

The smell of sorrow and death hung heavy in the air the same way it did within meat lockers and funeral homes, a nasty, dark sort of thing that coiled above your head like a visible black smoke. Gran's hair, which seemed have always been grey with white tinging the roots, was stained red at the ends, much like the rest of her clothing, much like the rest of the room. With long fingers pointed into sharp nails she drew over the floor with a crimson liquid, bottled up in an old jar for times much like these, times where logic was overruled by grief and the heart took full control of the situation.

The river always was her favorite place to play, and they were plentiful in Louisiana, giving relief from the burning southern sun. Thana always was an isolated child, skipping rocks at lonely streams instead of joining friends at the copious swimming holes around the small town. The house she stayed in with Gran’ was a short bike ride from the outskirts of New Orleans where Louisiana Practice sat, a little village type place with a cafe and small convenience stores. A trickling stream filled with tadpoles and dragonflies ran through their front yard, framing the old wooden home, but Thana did have an urge for adventure. Her wanderlust had her spending many days by the fast moving water down the hill, enclosed in thick trunks and bayou, the humming sound of insects and frog song filling the air. It was dangerous, being alone, but maybe that’s what made it fun.

Dark magick and favours from things hard to repay were never a path the Reed family went down willingly, only ever sucked into it when things got too tough for simple human actions to right. Gran’ pulled a book from her bag, one that had sat at the very top shelf in the back of her shop, one of the ones ancient and sparking with negative energy. Books like these were stained crimson around the edges and instead of holding an old paper scent they wafted rotten meat in your face, made your skin crawl just by reading a single word. There was no turning back once you cracked something like that open, once you took that first step into the shadows. It was sacrifice she was willing to make for her family.

Little feet skipped across the rocks peaking their heads out of the water, hoping from one slippery surface to another as she crossed the river. Thana had done it before, the water was up to her knees in most places and sure to ruin her favorite cotton dress, it was quicker to hop along the stones out of the splashing creeks reach. It wasn’t dangerous, until it was. /Crack./

The ritual was nothing straightforward or simple, included mixing precise amounts of ingredients and speaking in dead language in hopes of being heard by The Loa. The altar, frequently used and purposefully taken care of for them, now sat stained with the blood of human and animal alike. A thick bodied serpent sat coiled in the center of charcoal markings, the wood decorated in black and red sigils in a circle. Beside the snake laid Thana, skin pale in the moonlight, candles reflecting warmth off her cold form, still covered in glistening droplets and soaked to the bone. Over both Gran’ and Thana’s skin were markings, drawn primarily on their faces with the steady and practiced hands of the elderly woman, a mix of different ingredients but mostly drained from the veins of a serpent and sealed in a jar decades ago. Words fell from Gran’s mouth desperately, thickly accented and unable to be understood by most the population, the entire scene had a sinister way about it. And from the snake, glassy eyes rolling back in its skull, words fell from it’s maw.
β€œThere is a price for everything.”
β€œI’m willing it pay it, save her.”
And so, The Loa did.

Pale red slipped through the water like coiling tendrils, sourced from the still form of the girl laying face down upstream. Gran’ knew, she knew when she arrived home in the setting sun to an empty house, the sight down the hill only confirmed it. The scream that ripped from her own throat she didn’t even recognize as human for a few long, still moments. The elderly woman had lost everyone in her life, except her pride and joy, Thana, and she wasn’t about to lose that too. For years she had worshiped and sacrificed to her religion and The Loa, and today, she would raise hell to make sure she was given to in return.

Thana would never exactly be who she was before the incident, no, there was something wicked in her since the very moment the snake coiled itself around her and her chest heaved a breath. This wasn't Thana Reed, but it was close enough.

A little girl with hair so light it was white even in the darkness, offset by the horns poking from her too pale skin that illuminated just how clouded over her eyes were. Silent. Still. Dead. Those big white eyes blinked up at Gran', and the woman knew she would inevitably give her life to protect the world from this child.
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Extra Part Two
I couldn't finish my art piece so I hope it's alright I did a moodboard and playlist in the place of it
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dead eyes opened | moodboard
Playlist
It Will Come Back | Hozier
Ain't No Grave | Johnny Cash
Far Away From Any Road | The Handsome Family
Danger and Dread | Brown Bird
Last edited by opossumbreath on Sun Mar 25, 2018 9:50 am, edited 6 times in total.
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disclaimer

Postby opossumbreath » Sat Mar 17, 2018 12:35 pm

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All images used on this thread belong to their rightful owners, i claim not credit to them
All quotes used on this thread belong to their rightful owners, i claim not credit to them
This character concept and writing belongs to rodentspawn, do not copy or use please
Banners/manips and coding done by rodentspawn
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