
---
I don't suffer from insanity.
I enjoy every minute of it.
Insanity is a rational adjustment to the insane world, is it not?
Insanity, is my only means of relaxation.
Even if it means slaughter.
---

---
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
Are we human or are we dancer?
---

---
Give me a reason to turn and run
Give me a reason to burn this house down
Give me a reason I wish you would
I wish you would
Wish you would
Give me a reason for disaster
And I’ll be happy ever after
Give me a reason I wish you would
I wish you would
Wish you would
---
name
Liri Karis Dixon
{ lee-ree kay-ris dix-on }
---
age
30
{ 4th of October }
gender
female
{ and happy with it }
class
genetically altered
{ since she was 4 }
personality
Liris mind is consumed by cruel thoughts of the next disruption she will cause, the next injury she'll paint. Her workspace is her home and she laughs as she works on her cruel art. Sometimes, she'll draw innocent landscapes, flowers or animals, but usually she paints people with injuries, or aches and pains, enjoying the pain she will inflict on the people she draws when she is done. Liri will then leave the house to find her victims and watch their suffering. She doesn't care about others, ignoring their feelings or opinions. Over the years of discrimination, she has acquired a strong self-preservance instinct, and coupled with her lack of consideration for others means she won't sacrifice herself for anyone except in some very, very rare incidents. You might say that genetic surgery has not only messed with her mind but made her lose it, and in a way it has - she has occasional bouts of laughter or depression, or temporarily forgets her identity, or goes into mad sprees of making dolls, lining them up, and stabbing them with needles like a xylophone player. Once a happy-go-lucky, friendly and social young woman with a sadistic streak, she is now a slightly bitter, unsocial [mostly because of discrimination], and has more than just a streak of sadism, and she sees no reason to be friendly to people who have mutated and discriminated her. Her imagination is both a refuge and a tool. Her paints, her pen, her pastels are her way of expression, and her way of harm. The dolls she crafts are beautiful, with great attention to detail, yet are used to imitate hurting people. Liri hasn't a strong physic, but her strong nerves and endurance often make up for it. She isn't the talkative person she was before she was altered, keeps to herself and observes others, rather than interacting with them. She also brands their looks into her mind to paint them later on if she hasn't the tools at hand. Overall, Liri doesn't live in harmony with herself, only with her little mentality; bitter and feeling rebellious, against humans and mutants alike. She doesn't care that her demeanor makes things worse for her sometimes, but being the lowest of the low means things cannot get worse, and they don't seem like they'll get better anytime soon. Liri feels mutated, which she is, but she feels somewhat like a monster sometimes, an abomination that should never have been, she hates that her organism is modified, and no longer in her natural state. She loves nature, and wishes to leave the city, but there are more refuges there, and she manages to have a shelter to do her art, but she usually carries her utensils around, because they are the things most precious to her, and come largely from the time in the family that adopted her and pampered her with pens, paper, pastels and the like. One of her passions is dancing, something she learnt from watching others do so, looking through windows and copying, learning slowly without a partner. Liri spends her time writing, imagining horrific scenes, finding food and finding music to listen to, dancing all along.
orientation
asexual
{ Or rather, aromantic. She doesn't feel romantically or sexually attracted towards anyone }
abilities
voodoo
{ Liri has a power similar to voodoo. She can injure people by writing about them having an injury or an ache. It sometimes goes wrong, and hits the wrong person or people if she isn't specific enough with her work. Being a sadist, she doesn't mind these escapades, and laughs at them when goes to find her victims to watch them suffer and sometime increase it with a pen and paper at hand. Her powers are more controllable than usual, maybe from the calm demeanor it takes to use them, but nevertheless she often makes mistakes, but as her aims, so to speak, are general disruption and pain, she doesn't mind in the least. }
history
Liri was born in the slums on a warm October day, with only plastic bins and fallen leaves to comfort her mother. For two years, she and her mother lived in a small shelter, searching for food, and later for work, strived for every single dropped penny, every untouched meal left to rot, old mattresses and blankets to keep warm. Somehow, she survived those first few years with her mother, but after than, the situation became dire - there wasn't enough food, her mother was getting weak, as she gave almost everything to Liri. By chance, they met the rebels, who quickly understood the situation and offered to take Liri in and feed and accommodate her, and in return the gave her mother money to live, promising her daughter a better life, but proclaiming that they didn't have the space to take in her mother as well. After long debates, with Liri unsure what was going on, her mother consented, and from that day on she was in the care of the rebels. They treated her well, but the experiments soon began, and by the time she was four years old, they had made her a mutant. Or rather - a faint copy of the grandeur and skill the mutants possessed. They hoped Liri, along with many others, would help them win the war, counting on the fact that at her age, she wouldn't realize what was going on and obey them without question. Unfortunately for them, Liri as inquisitive, as all toddlers, wanted to know the why an where of everything, and throughout the remaining years of war, she kept to herself, left alone as a failed experiment. As the war ended, the institution fell apart around her, but she managed to escape, her small size at the age of four favoring her. Afterwards, she managed to be taken on by a family, due to her rather cute looks, and a lie about how she had gotten the scars on different parts of her body. For some time she managed to keep her powers secret, but as she tested and discovered her abilities [as the rebels had taught her how to write, because they new her ability], the family eventually found out, and she was kicked out of the house at the age of ten. She somehow survived through stealing food, making people suffer and while they were carted off to hospital, breaking into their houses and taking what she needed, thus evolving a tactical mind. Eventually, in her mid-teens, she found a shelter to live in, and she has lived there for her life until this point, and although her physic suggests otherwise, her eyes tell of many things seen and done [Liri looks about 25].
© for lyrics goes to The Killers - Human and Three Days Grace - Reason
© for form goes to infinite stars
© for pictures goes to their respective owners
© for writing goes to infinite stars
Liri Karis Dixon
{ lee-ree kay-ris dix-on }
---
age
30
{ 4th of October }
gender
female
{ and happy with it }
class
genetically altered
{ since she was 4 }
personality
Liris mind is consumed by cruel thoughts of the next disruption she will cause, the next injury she'll paint. Her workspace is her home and she laughs as she works on her cruel art. Sometimes, she'll draw innocent landscapes, flowers or animals, but usually she paints people with injuries, or aches and pains, enjoying the pain she will inflict on the people she draws when she is done. Liri will then leave the house to find her victims and watch their suffering. She doesn't care about others, ignoring their feelings or opinions. Over the years of discrimination, she has acquired a strong self-preservance instinct, and coupled with her lack of consideration for others means she won't sacrifice herself for anyone except in some very, very rare incidents. You might say that genetic surgery has not only messed with her mind but made her lose it, and in a way it has - she has occasional bouts of laughter or depression, or temporarily forgets her identity, or goes into mad sprees of making dolls, lining them up, and stabbing them with needles like a xylophone player. Once a happy-go-lucky, friendly and social young woman with a sadistic streak, she is now a slightly bitter, unsocial [mostly because of discrimination], and has more than just a streak of sadism, and she sees no reason to be friendly to people who have mutated and discriminated her. Her imagination is both a refuge and a tool. Her paints, her pen, her pastels are her way of expression, and her way of harm. The dolls she crafts are beautiful, with great attention to detail, yet are used to imitate hurting people. Liri hasn't a strong physic, but her strong nerves and endurance often make up for it. She isn't the talkative person she was before she was altered, keeps to herself and observes others, rather than interacting with them. She also brands their looks into her mind to paint them later on if she hasn't the tools at hand. Overall, Liri doesn't live in harmony with herself, only with her little mentality; bitter and feeling rebellious, against humans and mutants alike. She doesn't care that her demeanor makes things worse for her sometimes, but being the lowest of the low means things cannot get worse, and they don't seem like they'll get better anytime soon. Liri feels mutated, which she is, but she feels somewhat like a monster sometimes, an abomination that should never have been, she hates that her organism is modified, and no longer in her natural state. She loves nature, and wishes to leave the city, but there are more refuges there, and she manages to have a shelter to do her art, but she usually carries her utensils around, because they are the things most precious to her, and come largely from the time in the family that adopted her and pampered her with pens, paper, pastels and the like. One of her passions is dancing, something she learnt from watching others do so, looking through windows and copying, learning slowly without a partner. Liri spends her time writing, imagining horrific scenes, finding food and finding music to listen to, dancing all along.
orientation
asexual
{ Or rather, aromantic. She doesn't feel romantically or sexually attracted towards anyone }
abilities
voodoo
{ Liri has a power similar to voodoo. She can injure people by writing about them having an injury or an ache. It sometimes goes wrong, and hits the wrong person or people if she isn't specific enough with her work. Being a sadist, she doesn't mind these escapades, and laughs at them when goes to find her victims to watch them suffer and sometime increase it with a pen and paper at hand. Her powers are more controllable than usual, maybe from the calm demeanor it takes to use them, but nevertheless she often makes mistakes, but as her aims, so to speak, are general disruption and pain, she doesn't mind in the least. }
history
Liri was born in the slums on a warm October day, with only plastic bins and fallen leaves to comfort her mother. For two years, she and her mother lived in a small shelter, searching for food, and later for work, strived for every single dropped penny, every untouched meal left to rot, old mattresses and blankets to keep warm. Somehow, she survived those first few years with her mother, but after than, the situation became dire - there wasn't enough food, her mother was getting weak, as she gave almost everything to Liri. By chance, they met the rebels, who quickly understood the situation and offered to take Liri in and feed and accommodate her, and in return the gave her mother money to live, promising her daughter a better life, but proclaiming that they didn't have the space to take in her mother as well. After long debates, with Liri unsure what was going on, her mother consented, and from that day on she was in the care of the rebels. They treated her well, but the experiments soon began, and by the time she was four years old, they had made her a mutant. Or rather - a faint copy of the grandeur and skill the mutants possessed. They hoped Liri, along with many others, would help them win the war, counting on the fact that at her age, she wouldn't realize what was going on and obey them without question. Unfortunately for them, Liri as inquisitive, as all toddlers, wanted to know the why an where of everything, and throughout the remaining years of war, she kept to herself, left alone as a failed experiment. As the war ended, the institution fell apart around her, but she managed to escape, her small size at the age of four favoring her. Afterwards, she managed to be taken on by a family, due to her rather cute looks, and a lie about how she had gotten the scars on different parts of her body. For some time she managed to keep her powers secret, but as she tested and discovered her abilities [as the rebels had taught her how to write, because they new her ability], the family eventually found out, and she was kicked out of the house at the age of ten. She somehow survived through stealing food, making people suffer and while they were carted off to hospital, breaking into their houses and taking what she needed, thus evolving a tactical mind. Eventually, in her mid-teens, she found a shelter to live in, and she has lived there for her life until this point, and although her physic suggests otherwise, her eyes tell of many things seen and done [Liri looks about 25].
© for lyrics goes to The Killers - Human and Three Days Grace - Reason
© for form goes to infinite stars
© for pictures goes to their respective owners
© for writing goes to infinite stars