piscium wrote:hey! i don't think i've posted here before, so. hi! i'm az. i mostly write poetry.
i was wondering if anyone has any tips on how to get out of a rut of not submitting after being declined publication? i already found it really intimidating to submit in the first place, but now that i've received my first rejection letter, i feel like i'm looking on my work with an overly critical eye & it's keeping me from trying again, ugh. it doesn't help that the editors don't give critique - which isn't their fault; i just don't even know what i did wrong. it's put me on such an edge i feel like i might never submit again!
Personally, I'd recommend finding a writing group nearby. They'd help give you confidence, and they provide perfect peer editors. Most schools or campuses have a creative writing club, and some public libraries have programs as well. As it is, you can look up Steven King's "On Writing" It may be a memoir, but it's basically a creative writing course. He mentions he used to keep his rejection slips on an old nail in the attic and was about to run out of space when his first novel got accepted. Other than that, I'd suggest looking at what's currently popular. Publishers are more likely to accept something High Fantasy if High Fantasy is trending and more likely to get them money. If Murder Mysteries are currently trending, though, a piece advertised as High Fantasy is less likely to be accepted. If your High Fantasy does, in fact, fall into Murder Mystery as well, then look at what's popular or up-and-coming and put your work in that light to help it get through.
⠀⠀⠀petrova wrote:that wonderful moment when you toss an entire scene because you have awful confidence in your writing.
blah. I need to get better at writing for myself, other than for someone else.
It's just so hard to keep up my. I dunno what to call it. Faith, I guess - in myself? I want to spin up a draft for my novel but its just so ridiculously mentally consuming.
And now we're back to a mood. It's not a bad thing to shave down your writing. In fact, I know a number of people around here just don't have the courage to. They fall in love with their words and can't see that "this scene doesn't actually do anything for plot or character development." You can use your insecurity to make your writing spectacular! Not confident that this scene really works here? Okay. That's perfectly legit! Now, what would have to happen to make it work? Does there need to be more plot movement or character development? If so, can the actions in this scene be mashed together with another scene that may also be struggling? Let's say you have Plot Scene A and Character Development Scene B. You want all your scenes to do both so the story keeps moving without leaving the characters 2d ((not necessary. This is just hypothetical)). What you can do is take elements of Scene B and try to fit them into Scene A or the other way around. If you feel like you've got too much going on in one scene, break down what's happening and see if you can't develop those sections independently to slow things down a bit.