Me? An expert? *blushes* Anyway - more critique! Since you asked for me to look it over again, and I noticed a few things I'd missed. XP
I definitely think it's improved! The new format is nice, with the italics for the diary-speech stuff. The flow is so much better with less parenthesis! If you do like the parenthesis, then use them, but try reading the sentences out loud to make sure it sounds alright. Usually using parenthesis at the end of a sentence works best in my experience.
I didn't notice anything wrong with the dialogue. I found it easy to follow who was speaking. That's not always easy to do, but I think the dialogue is one of the strongest points of this piece.
Oh, I did notice - and I can't believe I didn't see this when I first read it - that you sometimes switch tenses.
"My eyes shot voluntarily to his ears. Nope, no earings. Good. At least he doesn't think he's a pirate.
He smirks.
You aren't even wearing earings.
I wrinkled my nose in frustration."
'Shot' is the past tense of shoot. 'Doesn't', 'think' and 'smirks' are present tense. And 'wrinkled' is past tense.
You make this mistake several times it seems, mostly around the dialogue. I was thinking too much about actual dialogue to notice it at first, so I'm assuming you were too. XP
"Then I realized he hadn't meant to say the last one outloud because he was trying to say that he was attracted to me."
I guess I'm paying more attention to the last part today! This sentence seems a little awkward. You'd probably be able to get rid of everything after 'out loud'. Her reaction and his blush pretty much say it all. Get rid of the "because he was trying to say that he was attracted to me", since your readers can pretty much figure this out for themselves. You want to avoid spelling everything out for them.
The fact that she delivers her statement: "I'm not attracted to you!" without any use of 'said' or it's modifiers, adds a bit of mystery! You could've easily told us how she delivered that line - angrily, truthfully, defensively, too quickly. But you don't, and that's awesome!

The reader can't tell if she just said that, or if she means it and I think that's great! Not sure if that was your intention, but that's how I saw it. I'm pointing it out to show you don't have to spell everything out. A lot of times, less is more in writing, which is why the "because he was trying to say that he was attracted to me" is unnecessary.
"I knew it hurt her, but I hadn't cared for some time for whatever reason."
You can make this sentence simpler by removing 'for some time' and putting 'had' in front of 'hurt'. As in: "I knew it had hurt her, but for whatever reason, I hadn't cared."
I switched 'I hadn't cared' and 'for whatever reason' because it makes the sentence stronger. If you read the two, the one ending with 'whatever' sounds sort of off-hand and uncaring and maybe even a bit rushed. Switching them changes the focus from 'whatever reasons' to the real important statement, 'I hadn't cared'.
"She reached down and grabbed my face in her hands."
'Grabbed' is a very forceful word. You might consider replacing it with 'cupped', which implies that she was being gentle. You know, rereading it again, I find I really like the mother-daughter scene here. It's a nice little bit of character development, with just enough conflict and tension. You probably write better dialogue then I do.

Again, more description would be great! You don't have to write buckets and buckets of description (I'm the kind if person who writes tons and tons of description - but that's just me), but let us know where
we are, who we're talking to, what your character sees, smells, hears, tastes and touches. Little details like that will add up to make a vibrant world that's full of interesting characters. Picture your characters and their settings in your mind and write down what you see.
I think you could physically describe characters a bit more. It could just be a sentence, or a few words sprinkled into what's already there. For example Jopie doesn't really have much description - we don't know what she looks like, or who she is, outside of being your character's friend. Some of them already have pictures, it's true, but we don't know how your character views them or how they act. Just as some suggestions, maybe Miss Edith holds her nose in the air, or Roscoe struts about in a way that your character finds pompous - or maybe Roscoe skulks, or bounds, or shuffles. Maybe she thinks her mother is beautiful, or maybe not. You've already got a good start on that, all you need is a bit more.
Same with scenery - don't forget to describe it. What is the banquet like? Is it in a big room? Are there a lot of people? What are they doing? Is the mood jovial, or tense? Where are they when her mother is helping her with her dress? In her room? Her mother's room? Somewhere else? What time of day is it? Etc.
Keep the questions in mind. They're questions your readers will have. You don't always have to answer all of them, just sprinkle in enough information to paint the scene in your reader's mind.