Gods, Goddesses, and their info:
ZEUS:Zeus in Greek mythology is the king of the gods, the ruler of Mount Olympus, and god of the sky and thunder. His symbols are the thunderbolt, eagle, bull and the oak. In addition to his Indo-European inheritance, the classical Zeus also derives certain iconographic traits from the cultures of the ancient Near East, such as the scepter. Zeus is frequently envisaged by Greek artists in one of two poses: standing, striding forward, a thunderbolt leveled in his raised right hand, or seated in majesty. The son of Cronus and Rhea, he was the youngest of his siblings. He was married to Hera in most traditions, although at the oracle of Dodona his consort was Dione: according to the Iliad, he is the father of Aphrodite by Dione. Accordingly, he is known for his erotic escapades, including one pederastic relationship with Ganymede. His trysts resulted in many famous offspring, including Athena, Apollo and Artemis, Hermes, Persephone (by Demeter), Dionysus, Perseus, Heracles, Helen, Minos, and the Muses (by Mnemosyne); by Hera he is usually said to have sired Ares, Hebe and Hephaestus. His Roman counterpart was Jupiter, and his Etruscan counterpart was Tinia.
Poseidon:In Greek mythology, Poseidon was the god of the sea, as well as of horses and, as "Earth-Shaker," of earthquakes. The sea gods Rodon in Illyrian mythology, Nethuns in Etruscan, and Neptune in Roman mythology were sea gods analogous to Poseidon. Griffiti show that Poseidon was venerated in Bronze Age Greece but as integrated into the Olympian gods Poseidon is the brother of Zeus and Hades and has many children. the is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, though he lost the contest for Athens to Athena.
Apollo:Apollo is considered to have dominion over plague, light, healing, colonists, medicine, archery, poetry, prophecy, dance, reason, intellectualism, Shamans, and as the patron defender of herds and flocks. Apollo had a famous oracle in Crete and other notable ones in Clarus and Branchidae. Apollo is known as the leader of the Muses ("musagetes") and director of their choir. His attributes include: swans, wolves, dolphins, bows and arrows, a laurel crown, the cithara (or lyre) and plectrum. The sacrificial tripod is another attribute, representative of his prophetic powers.
Aphrodite:Aphrodite, in many of the myths involving her, is characterized as vain, ill-tempered and easily offended. Though she is one of the few gods of the Greek Pantheon to be actually married, she is frequently unfaithful to her husband. Hephaestus, of course, is one of the most even-tempered of the Hellenic deities; Aphrodite seems to prefer Ares, the volatile god of war. In Homer's Iliad she surges into battle to save her son, but abandons him (in fact, drops him as she flies through the air) when she herself is hurt (Ares does much the same thing). And she is the original cause of the Trojan War itself: not only did she start the whole affair by offering Helen of Troy to Paris, but the abduction was accomplished when Paris, seeing Helen for the first time, was inflamed with desire to have her - which is Aphrodite's realm. Her domain may involve love, but it does not involve romance; rather, it tends more towards lust, the human irrational longing.
Ares:In Greek mythology, Ares is the son of Zeus (ruler of the gods) and Hera. Though often incorrectly referred to as the Olympian god of war, he is more accurately the god of savage war, or bloodlust, or slaughter personified. The Romans identified him as Mars, the Roman god of war (whom they had inherited from the Etruscans), but among them, Mars stood in much higher esteem. Among the Hellenes, Ares was always mistrusted. Though Ares' half-sister Athena was also considered to be a war deity, Athena's stance was that of strategic warfare while Ares' tended to be the unpredictable violence of war. His birthplace and true home was placed far off, among the barbarous and warlike Thracians (Iliad 13.301; Ovid, Ars Amatoria, II.10;), to whom he withdrew after he was discovered on a couch with Aphrodite. "Ares" remained an adjective and epithet in Classical times: Zeus Areios, Athena Areia, even Aphrodite Areia. In Mycenaean times, inscriptions attest to Enyalios, a name that survived into Classical times as an epithet of Ares. Vultures and dogs are sacred to him
Artemis:In Greek mythology, Artemis was the daughter of Zeus and Leto and the twin sister of Apollo. She was usually depicted as the maiden goddess of the hunt, bearing a bow and arrows. Later she became associated with the moon, as her brother was with the sun. She was one of the most widely venerated of the gods and manifestly one of the oldest deities (Burkert 1985:149). In later times she was associated and considered synonymous with the Roman goddess Diana. In Etruscan mythology, she took the form of Artume. Deer and cypress are sacred to her. She was the virgin moon goddess of the hunt, wild animals, healing, wilderness, chastity, and childbirth. She was worshipped as a fertility/childbirth goddess in many places since, according to some myths, she assisted her mother in the delivery of her twin. At some point in the Classical period, she was identified by some with Hecate, the primal, pre-Olympian feral goddess. She much later became more identified with and eventually supplanted Selene as the moon goddess to complement her twin's identification with and supplantation of Helios as the sun god.
Athena:In Greek mythology, Athena, the shrewd companion of heroes, became the goddess of wisdom, as philosophy became applied to cult in the later fifth century. She remained the patroness of weaving, crafts and the more disciplined side of war. Athena's wisdom also includes the cunning intelligence (metis) of such figures as Odysseus. She is attended by an owl, and is often accompanied by the goddess of victory, Nike. Wearing a goatskin breastplate called the Aegis given to her by her father, Zeus, she is often shown helmeted and with a shield bearing the Gorgon Medusa's head, a votive gift of Perseus. Athena is an armed warrior goddess, and appears in Greek mythology as a helper of many heroes, including Heracles, Jason, and Odysseus. In classical myth she never had a consort or lover, and thus was often known as Athena Parthenos ("Athena the virgin"), hence her most famous temple, the Parthenon, on the Acropolis in Athens. In a remnant of archaic myth, she was the mother of Erichthonius by an attempted rape, which failed. In her role as a protector of the city, Athena was worshiped throughout the Greek world as Athena Polias ("Athena of the city"). She had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city.
Demeter:In Greek mythology Dêmêtêr ("mother-earth" or possibly "distribution-mother") is the goddess of grain and fertility, the pure nourisher of the youth and the green earth, the health-giving cycle of life and death, and preserver of marriage and the sacred law. She is invoked as the "bringer of seasons" in the Homeric hymn, a subtle sign that she was worshiped long before the Olympians arrived. Another story states that she was one of the twelve Olympians. The Homeric Hymn to Demeter has been dated to sometime around the Seventh Century BC. She and her daughter Persephone were the central figures of the Eleusinian Mysteries that also predated the Olympian pantheon. The Roman equivalent is Ceres, from whom the word "cereal" is derived. Demeter is easily confused with Gaia or Rhea, and with Cybele. The goddess's epithets reveal the span of her functions in Greek life. Demeter and Kore ("the maiden") are usually invoked as to theo ('"The Two Goddesses"), and they appear in that form in Linear B graffiti at Mycenaean Pylos in pre-classical times. A connection with the goddess-cults of Minoan Crete is quite possible. According to the Athenian rhetorician Isocrates, the greatest gifts which Demeter gave were cereal (also known as corn in modern Britain) which made man different from wild animals; and the Mysteries which give man higher hopes in this life and the afterlife.
Hephaestus:Hephaestus was the Greek god whose Roman equivalent was Vulcan; he was the god of technology, blacksmiths, craftsmen, artisans, sculptors, metals and metallurgy, and fire. He was worshipped in all the manufacturing and industrial centers of Greece, especially Athens. Though his forge traditionally lay in the heart of Lemnos, Hephaestus was quickly identified by Greek colonists in southern Italy with the volcano gods Adranus of Mount Etna and Vulcanus of the Lipara islands, and his forge moved here by the poets. The first-century sage Apollonius of Tyana is said to have observed, "there are many other mountains all over the earth that are on fire, and yet we should never be done with it if we assigned to them giants and gods like Hephaestus" (Life of Apollonius of Tyana, book v.16). Hephaestus and his brother Ares were sons of Hera, with or without the cooperation of Zeus. In classic and late interpretations, Hera bore him alone, in jealousy for Zeus's solo birth of Athena, but as Hera is older than Zeus in terms of human history, the myth may be an inversion. Indeed, in some versions of Athena's birth, the goddess only enters the world after Zeus' head is split open by a hammer-wielding Hephaestus. Either way, in Greek thought, the fates of the goddess of wisdom and war (Athena) and the god of the forge that makes the weapons of war were linked. In Attica, Hephaestus and Athena Ergane (Athena as patroness of craftsmen and artisans), were honored at a festival called Chalceia on the 30th day of Pyanepsion. Hephaestus crafted much of Athena's weaponry, along with those of the rest of the gods and even of a few mortals who received their special favor. An Athenian founding myth tells that Athena refused a union with Hephaestus, and that when he tried to force her she disappeared from the bed, and Hephaestus ejaculated on the earth, impregnating Gaia, who subsequently gave birth to Erichthonius of Athens; then the surrogate mother gave the child to Athena to foster, guarded by a serpent. Hyginus made an etymology of strife (Eri-) between Athena and Hephaestus and the Earth-child (chthonios). Some readers may have the sense that an earlier, non-virginal Athena is disguised in a convoluted re-making of the myth-element. At any rate, there is a Temple of Hephaestus (Hephaesteum or the so-called "Theseum") located near the Athens agora, or marketplace.
Hera:In the Olympian pantheon of classical Greek Mythology, Hera, or Here was the wife and older sister of Zeus. Her chief function was as goddess of marriage. Her equivalent in Roman mythology was Juno. The cow and later the peacock are sacred to her. In late symbolic interpretations of the gods, she was identified as the upper air. Portrayed as majestic and solemn, often enthroned and crowned with the polos, the high cylindrical crown worn by several of the Great Goddesses, Hera may bear in her hand the pomegranate, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy (Ruck and Staples 1994). "Nevertheless, there are memories of an earlier, aniconic representation, as a pillar in Argos and as a plank in Samos" (Burkert 1985:131).
Hermes:Hermes in Greek mythology, is the Olympian god of boundaries and of the travelers who cross them, of shepherds and cowherds, of orators and wit, of literature and poets, of athletics, of weights and measures, of invention, of commerce in general, and of the cunning of thieves and liars. As a translator, Hermes is a messenger from the gods to humans, sharing this with Iris. An interpreter who bridges the boundaries with strangers is a hermeneus. Hermes gives us our word "hermeneutics" for the art of interpreting hidden meaning. In Greek a lucky find was a hermaion. Hermes, as an inventor of fire, is a parallel of the Titan, Prometheus. In addition to the syrinx and the lyre, Hermes was believed to have invented many types of racing and the sport of boxing, and therefore was a patron of athletes. Modern mythographers have connected Hermes with the trickster gods of other cultures. Hermes also served as a psychopomp, or an escort for the dead to help them find their way to the afterlife (the Underworld in the Greek myths). There he is depicted as the only god besides Hades and Persephone who could enter and leave the Underworld without hindrance. Among the Hellenes, as the related word Herma Œa boundary stone, crossing point¹ would suggest, Hermes is the Spirit of Crossing-Over. As such he was seen to be manifest in any kind of interchange, transfer, transgressions, transcendence, transition, transit or traversal, all of which activities involve some form of crossing in some sense. This explains his connection with transitions in one¹s fortunes, with the interchanges of goods, words and information involved in trade, interpreting, oratory, writing, with the way in which the wind may transfer objects from one place to another, and with the transition to the afterlife. In the Olympian pantheon, Hermes was the son of Zeus and the Pleiade Maia, a daughter of the Titan Atlas. Hermes was born on Mount Cyllene in Arcadia to Maia. As the story is told in the Homeric Hymn, the Hymn to Hermes, Maia was a nymph, but Greeks generally applied the name to a midwife or a wise and gentle old woman; so the nymph appears to have been an ancient one, or more probably a goddess. At any rate, she was one of the Pleiades, daughters of Atlas, taking refuge in a cave of Mount Cyllene in Arcadia. The infant Hermes was precocious. His first day he invented the lyre. By nightfall, he had rustled the immortal cattle of Apollo. For the first sacrifice, the taboos surrounding the sacred kine of Apollo had to be transgressed, and the trickster god of boundaries was the one to do it. Hermes drove the cattle back to Greece and hid them, and covered their tracks. When Apollo accused Hermes, Maia said that it could not be him because he was with her the whole night. However, Zeus entered the argument and said that Hermes did steal the cattle and they should be returned. While arguing with Apollo, Hermes began to play his lyre. The instrument enchanted Apollo and he agreed to let Hermes keep the cattle in exchange for the lyre. Hermes' symbols were the rooster and the tortoise. He can be recognized by his purse or pouch, winged sandals, winged cap, and the herald's staff, the kerykeion. Hermes was the god of thieves because he was very cunning and shrewd and was a thief himself from the night he was born, when he slipped away from Maia and ran away to steal his elder brother Apollo's cattle. Hermes was loyal to his father Zeus. When the nymph Io, one of Zeus' consorts, was trapped by Hera and guarded over by the many-eyed giant Argus Panoptes, Hermes saved her by lulling the giant to sleep with stories and then decapitating him with a crescent-shaped sword. In the Roman adaptation of the Greek religion, Hermes was identified with the Roman god Mercury, who, though inherited from the Etruscans, developed many similar characteristics, such as being the patron of commerce. A syncretic conflation of Hermes with the Egyptian god of wisdom Thoth produced the figure of Hermes Trismegistus, to whom a body of arcane lore was attributed in the Greco-Roman culture of Alexandria. The writings attributed to Hermes Trismegistus were edited and published in the Italian Renaissance. Hermes is a Greek mythological figure who is a son of Zeus and Maia. The name Hermes was derived from the Greek word herma which is a square or rectangular pillar in either stone or bronze, with the head of Hermes (usually with a beard), which adorned the top of the pillar, and male genitals near to the base of the pillar. These were used in Athens to ward off evil and also as road and boundary markers all over Greece markers. Due to the fact that these statues were used as road markers Hermes was the god of land travel. He was also the god of shepherds, merchants, weights and measurements, oratory, literature, athletics, and thieves. His symbols were the cock, tortoise, purse or pouch, winged sandals, winged cap, and the heralds staff. Hermes was the god of thieves because he was very cunning and shrewd and was a thief himself from the night he was born. The night Hermes was born he snuck away from his mother and ran away to steal his Brother Apollo's cattle. He drove the cattle back to Greece and hid them and covered their tracks. When Apollo accused Hermes, Maia said that it could not be him because he was with her the whole night, however Zeus entered into the argument and said that Hermes did steal the cattle and they should be returned. While arguing with Apollo, Hermes began to play his lyre. The instrument enchanted Apollo and he agreed to let Hermes keep the cattle in exchange for the lyre. Hermes was the herald to the gods (messenger of the gods) so he had to guide the souls of the dead to the underworld, the person who does this is called a psychopomp. Hermes was very loyal to his father Zeus, when Zeus fell in love with the nymph Io, Hermes saved her from the many-eyed Argus by lulling him to sleep with stories and songs, decapitating him with a crescent-shaped sword. Some say that is representative of killing the disapproving eyes of the community, always policing good conduct in a shame-based society through their disapproving gaze.
Hestia:In Greek mythology, virginal Hestia is the goddess of the hearth, of the right ordering of domesticity and the family, who received the first offering at every sacrifice in the household, but had no public cult. In Roman mythology her more civic approximate equivalent was Vesta, who personified the public hearth, and whose cult round the ever-burning hearth bound Romans together in the form of an extended family. The similarity of names, apparently, is misleading: "The relationship hestia-histie Vesta cannot be explained in terms of Indo-European linguistics; borrowings from a third language must also be involved," Walter Burkert has written (1985, III.3.1 note 2). At a very deep level her name means "home and hearth": the household and its inhabitants. "An early form of the temple is the hearth house; the early temples at Dreros and Prinias on Crete are of this type as indeed is the temple of Apollo at Delphi which always had its inner hestia". It will be recalled that among classical Greeks the altar was always in the open air with no roof but the sky, and that the oracle at Delphi was the fane of the Goddess before it was assumed by Apollo. The Mycenaean great hall, such as the hall of Odysseus at Ithaca was a megaron, with a central hearthfire. The hearth fire of a Greek or a Roman household was not allowed to go out, unless it was ritually extinguished and ritually renewed, accompanied by impressive rituals of completion, purification and renewal. Compare the rituals and connotations of an eternal flame and of sanctuary lamps. At the more developed level of the poleis Hestia symbolizes the alliance between the colonies and their mother-cities. Hestia is one of the three Great Goddesses of the first Olympian generation: Hestia, Demeter and Hera. She is the oldest of the three daughters of Rhea and Cronus, the sisters to three brothers Zeus, Poseidon, and Hades. Originally listed as one of the Twelve Olympians, Hestia gave up her seat in favour of new-comer Dionysus to tend to the sacred fire on Mt. Olympus. Her altars included every family hearth. Immediately after their birth, Cronus swallowed Hestia and her siblings except for the last and youngest, Zeus, who later rescued them and led them in a war against Cronus and the other Titans. Hestia, the eldest daughter "became their youngest child, since she was the first to be devoured by their father and the last to be yielded up again" - the clearest possible example of mythic inversion, a paradox that is noted in the Homeric hymn to Aphrodite (ca 700 BCE)
Hades:Hades is the lord of the dead and ruler of the nether world, which is referred to as the domain of Hades or, by transference, as Hades alone. He is the son of Cronus and Rhea. When the three sons of Cronus divided the world among each other, Hades was given the underworld, while his brothers Zeus and Poseidon took the upperworld and the sea respectively. For a while Hades ruled the underworld together with Persephone, whom he had abducted from the upperworld, but Zeus ordered him to release Persephone back into the care of her mother Demeter. However, before she left he gave her a pomegranate and when she ate of it, it bound her to the underworld forever. Hades sits on a throne made of ebony, and carries a scepter. He also has a helmet, given to him by the Cyclopes, which can make him invisible. Hades rules the dead, assisted by various (demonic) helpers, such as Thanatos and Hypnos, the ferryman Charon, and the hound Cerberus. Many heroes from Greek mythology have descended into the underworld, either to question the shades or trying to free them. Although Hades does not allow his subjects to leave his domain, on several occasions he has granted permission, such as when Orpheus requested the return of his beloved Eurydice. Hades possesses the riches of the earth, and is thus referred to as 'the Rich One'. Possibly also because -- as Sophocles writes -- 'the gloomy Hades enriches himself with our sighs and our tears'. Of all the gods, Hades is the one who is liked the least and even the gods themselves have an aversion of him. People avoided speaking his name lest they attracted his unwanted attention. With their faces averted they sacrificed black sheep, whose blood they let drip into pits, and when they prayed to him, they would bang their hands on the ground. The narcissus and the cypress are sacred to him.
