by MotherMother » Thu Apr 06, 2017 8:12 pm
Hello! I think this is a great idea to improve your art. I have some critique that I hope will help you!
I think a big place for improvement is the background. Even though backgrounds may not seem to have much of an impact, they really do. My own eye is drawn to the blurry eye that makes it almost seem like someone is standing over the character's shoulder, and the eye colour is quite bright which brings even more attention to the idea of someone watching them. To change this, you could lower the opacity of the background more, or as I would recommend just change it altogether.
Another thing is the lifted arm. I tried bending my wrist in that same way and it's quite awkward and actually a bit hard to do. Something that sticks out is the thumb. It branches off at the halfway point in the hand, when in reality it should be starting at the base of the hand, at the wrist. Try to think about the thumb as something separate from the other fingers. You can use your own hand for reference, as it is a great model and you can experiment with different hand positions and see how the thumb's base actually starts at the wrist, and you can see the muscles in the wrist moving as you wiggle your thumb.
The sweater could be improved by loosening it around the chest. A small detail is that the tight fit and thick lining and shading makes the breasts look quite large, which is fine, but the strings from the hoodie should reflect this and be shaped to hang off the chest, while right now the strings look flat which go against the shape of the body. The breasts are a bit misshapen and the crease in the sweater is a bit confusing because it shows the sweater is loose enough to have a crease there but at the same time the sweater looks too tight. The crease also throws off the round shape. Another thing is that there shouldn't be a crease at the sides of the breasts, because anatomy does not work like that. They should transition into the side of the body instead.
The overall expression conflicts with the body pose and liveliness of the hair. When you show the eyelids and lift the eyebrows, it gives the expression of calmness which clashes with the movement of the body and hair.
I like what you're doing with the line thickness since it adds more character and defines your style, but it is a bit inconsistent at the forehead. The lines are thick above the eyes, but thin where the hair splits on the forehead. It should be thicker there to show that it is not pressed against the forehead.
The dimples on the knuckles look off, I think they should look more like bulges than dimples which can be changed by doing those "u" shapes you have right now upside-down. Or you can make the knuckles pale instead, which will show the bulge as well as emphasize the clenched hand.
To make the piece pop more, I'd suggest adding highlights. Highlights in the hair and eyes are especially important, because they reflect light the most. Without it, the piece looks flatter, despite the shading. It seems like the piece is between a flat drawing and a fully shaded/lighted one, because it has nice shading in all the right places but non of the highlights that make a piece really look complete.
There are things that can be improved but this is still a very nice piece with parts that do not need improvement, like the arms of the sweater which have really nice creases that look very natural. I also think the hair has lots of life to it, I can almost see it bouncing. The skin tones and colour make the piece less flat and the shading is quite well but like I mentioned I would really recommend adding highlights.