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yee haw by Hubble

Artist Hubble [gallery]
Time spent 1 hour, 25 minutes
Drawing sessions 1
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yee haw

Postby Hubble » Sun Mar 24, 2019 8:46 am

    Bunch of ugly textures and stuff because I cannot get through my art block.
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Re: yee haw

Postby birdbones » Sun Mar 24, 2019 10:16 am

All of your art is so beautiful!
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Re: yee haw

Postby Swirlshine » Sun Mar 24, 2019 1:06 pm

Dang, these are STUNNING! How on EARTH do you get fur to look so gorgeous, ahh!


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Re: yee haw

Postby crackerbox_palace » Mon Mar 25, 2019 2:06 am

I wish I could draw/paint effects as flawlessly as this <3
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Re: yee haw

Postby mongrel » Mon Mar 25, 2019 2:39 am

    would you mind sharing what brushes/settings you normally use??
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Re: yee haw

Postby Lostfairy » Mon Mar 25, 2019 6:52 am

Can you please just hit me know.
Am I dreaming.
THESE TEXTURES. MY WORD, COULD YOU TEACH ME YOUR AMAZING WAYS?? What are you calling ugly? These are so gorgeous. <33
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Re: yee haw

Postby Hubble » Mon Mar 25, 2019 7:28 am

Ahh, thank you all! c: Nice comments are everything to me.

imaginary wrote:
    would you mind sharing what brushes/settings you normally use??


Absolutely! Here's sort of a process and my most used brushes in each step. I'll describe their uses below.
Image
1.
    I typically use a small pen brush with medium to high opacity for sketching. I'll raise the opacity when doing lineart to get a more solid look, but that wasn't really necessary in a more painting-type example like this one.
2.
    I use a medium-sized watercolor with full color and high opacity to block in colors. If there are smaller places with strong colors you need to define, make sure to get in there with a smaller brush before moving on.
3.
    I do basic highlights and shadows and shape things out with a watercolor brush because it has a nice blending quality. For blurring things together, I always set the color to 0%-10% and vary opacity depending on how strong I want it to be.
4.
    Hard-edge airbrush settings are very important, and I use them a lot. Here, I used them for shading and the beginnings of smaller details. And remember to turn smoothing up any time you're doing big details like shading.
5.
    Low-opacity airbushes are great for little highlights, especially when you're using add/luminosity layers (layer settings are your friend!). I also use them for color correction on an overlay layer when there are parts that I may want to keep duller.
6.
    Finally, a low-opacity watercolor with 100% color is great for adding intense details and defining depth. I use these last because they make it easy to get bright colors in a final piece. I also do final color corrections around this step, and watercolor brushes are perfect for blending.
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Re: yee haw

Postby Snowlondon » Mon Mar 25, 2019 9:02 am

These are all wonderful!
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Re: yee haw

Postby gяεч » Mon Mar 25, 2019 10:30 am

Hubble wrote:Absolutely! Here's sort of a process and my most used brushes in each step. I'll describe their uses below.
Image
1.
    I typically use a small pen brush with medium to high opacity for sketching. I'll raise the opacity when doing lineart to get a more solid look, but that wasn't really necessary in a more painting-type example like this one.
2.
    I use a medium-sized watercolor with full color and high opacity to block in colors. If there are smaller places with strong colors you need to define, make sure to get in there with a smaller brush before moving on.
3.
    I do basic highlights and shadows and shape things out with a watercolor brush because it has a nice blending quality. For blurring things together, I always set the color to 0%-10% and vary opacity depending on how strong I want it to be.
4.
    Hard-edge airbrush settings are very important, and I use them a lot. Here, I used them for shading and the beginnings of smaller details. And remember to turn smoothing up any time you're doing big details like shading.
5.
    Low-opacity airbushes are great for little highlights, especially when you're using add/luminosity layers (layer settings are your friend!). I also use them for color correction on an overlay layer when there are parts that I may want to keep duller.
6.
    Finally, a low-opacity watercolor with 100% color is great for adding intense details and defining depth. I use these last because they make it easy to get bright colors in a final piece. I also do final color corrections around this step, and watercolor brushes are perfect for blending.


Just wanted to ask whether this is on one or multiple layers?
Thank you ^^ c:
(Also hecc, your art is beautiful dude p-p)










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Re: yee haw

Postby Hubble » Tue Mar 26, 2019 4:08 am

✧Bя0к£и✧ wrote:
Just wanted to ask whether this is on one or multiple layers?
Thank you ^^ c:
(Also hecc, your art is beautiful dude p-p)


Most of it is on one layer, but all overlays and add layers are separate. And thank you! <3


Last bumped by Hubble on Tue Mar 26, 2019 4:08 am.
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